00:15▶Run Wild
Salomon 12.4M views
Film editor / motion designer00:01:26:18
I CUT STORIESTHAT STAY.
Commercials, documentaries and culture-led films — shaped with rhythm, restraint and an eye for the frames between.
Edit · Color · MotionLondon / Worldwide
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Stories with a pulse.
Small screens. Full impact.
00:15▶
00:15▶Night Shift
Porsche 4.1M views
00:15▶Studio 11
Spotify 87% completion
00:15▶Off Court
Nike 8.7M views
Two minutes, twenty stories.
Edit · sound design · selected color
Turning endurance into emotion.
No Fixed Line — The North Face
- The brief
- Make an expedition feel intimate, not impossible.
- The approach
- We cut away from spectacle and into the micro-moments: breath, hesitation and trust.
- Deliverables
- 90s hero film · 3 × 30s cutdowns · 12 social edits
“Mira found the human film hiding inside all that scale.”
The difference is in the feeling.
Camera original
Final grade↔
From first assembly to final master.
Assembly
Find the spine and protect the unexpected.
Story cut
Shape rhythm, performance and point of view.
Fine cut
Every frame earns its place.
Sound + grade
Build texture, depth and emotional temperature.
Delivery
Masters, cutdowns and every screen considered.
Built for the whole cut.
Commercial editing
Campaign films, brand stories and launch work.
↗Documentary
Character-led films with clarity and restraint.
↗Short-form systems
Platform-native edits without losing the idea.
↗Motion + titles
Graphic systems, compositing and finishing.
↗Color direction
Look development and final grade supervision.
↗Sound shaping
Texture and mix direction from the first cut.
↗Close collaboration. Clear momentum.
Discover
Audience, intent and the one feeling we need to land.
Shape
A fast assembly opens the conversation early.
Refine
Focused review rounds with frame-accurate feedback.
Finish
Picture lock, grade, sound, versions and delivery.
Directors call it instinct.
“Mira understands what the film is trying to become — often before the rest of us do.”
“Strong instinct, zero ego and absolute calm when the deadline gets loud.”
Story first. Always.
I’m Mira, an editor working across commercial, documentary and music films. For twelve years I’ve helped directors and brands turn ambitious footage into clear, affecting stories.
I’m drawn to human details, unexpected rhythm and work that trusts the audience.
- Based
- London, UK
- Experience
- 12 years
- Available
- Worldwide
- Languages
- English / French
Fluent across the finish.
01Adobe Premiere Pro02DaVinci Resolve03After Effects04Avid Media Composer05Blender06Frame.io07Pro Tools08Cinema 4D
The work travelled.
2026D&AD Graphite PencilNo Fixed Line
2025Cannes Lions — SilverMade Wild
2025Vimeo Staff PickAfter Hours
2024UKMVA — Best EditingSoft Static
Let’s make the cut matter.
Share what you know. A rough brief is more than enough to start.
hello@miravale.studio